Forgotten Horrors: The Original Volume -- Except More So
Nothing like beating the deadline. Forgotten Horrors: The Original Volume will become available during the next few days at amazon.com and presently at www.oldies.com. Kindle edition in preparation. Thanx alot to everyone for the show of interest. The expansion and revision of Forgotten Horrors Vol. 2: Beyond the Horror Ban is in progress. Gathering files and reference reels meanwhile for a companion volume on Frontier Gothics -- Horrors on Horseback -- Phantoms of the Horse Opera -- Shoot-'em-Up Noir -- whatever one might call 'em. The next collection of Forgotten Horrors will jump the chronology into the 1960s-1980s as an anthology of John Wooley's and my columns (revised and expanded) for Fangoria magazine, dating from 2002.
Sunday, June 10, 2012
Forgotten Horrors at Turner Classic Movies Website:
http://www.tcm.com/this-month/movie-news.html?id=494458&name=Forgotten-Horrors-The-Original-Volume-Except-More-So
http://www.tcm.com/this-month/movie-news.html?id=494458&name=Forgotten-Horrors-The-Original-Volume-Except-More-So
Friday, June 8, 2012
Groundbreaking Movie Book “Forgotten Horrors” Returns to Its Roots for a Revised & Expanded Edition -- Due in August 2012
The publication in 1980 of Forgotten Horrors: Early Talkie Chillers
from Poverty Row launched a new direction in film scholarship by subjecting
the weirder movies of Old Hollywood ’s
low-rent district to the scholarly and critical attention customarily reserved
for acknowledged classics from the big studios. Authors George E. Turner and
Michael H. Price staked out a distinctive territory while rediscovering
little-seen favorites and identifying early work from important stars-to-be and
emerging major directors.
“We intended the title, Forgotten Horrors, to be a challenge—a self-denying
prophecy,” says Mike Price in announcing a new edition, revised and expanded.
“With very few exceptions, such as White
Zombie and The Vampire Bat, these
Depression-era pictures had been popularly forgotten through neglect, careless
archiving, and inconsistent copyright maintenance. We sought to make them less
‘forgotten.’
“George and I covered more than
100 such films from 1929-1937 in the original edition, and within a few years
of its publication many of these pictures started cropping up on the home-video
market,” adds Price. “One large-scale video dealer went so far as to publish a
catalogue called Forgotten Horrors. Mission accomplished.”
The new edition, Forgotten Horrors: The Original
Volume—Except More So (Cremo Studios; $35), features many new chapters and
an introduction by Mel Brooks—the filmmaker responsible for such horror
pictures as Young Frankenstein and
David Cronenberg’s The Fly. The
expansion will serve both to unearth additional rarities and to restore much of
the original manuscript. At the behest of the original publisher, the Tantivy
Press of London, the authors had removed many chapters for the sake of brevity—including
coverage of such significant independent films as Sam Goldwyn’s Bulldog Drummond and Harold Lloyd’s
creepy comedy Welcome Danger, both
from 1929. These and others have been restored to the text, along with many
photographs and advertising images previously unpublished.
A key new discovery is a lost
film by acclaimed director Edgar G. Ulmer, The
Warning Shadow—made shortly before Ulmer’s big-time breakthrough with the Boris
Karloff-Bela Lugosi starrer The Black Cat
(1934). While The Warning Shadow
remains a missing film, Price has traced its surviving footage to an unlikely
location and reports accordingly on the find. More than 50 new chapters
complete the package, ranging from weird Westerns to ghostly crime melodramas
and offbeat comedies. The book’s 370 pages cover the rise of such iconic stars
as Boris Karloff, Ginger Rogers, and Gene Autry; the decline of many silent-era
talents who stuck around through the arrival of talking pictures in the late
1920s; and significant relationships between such major studios as Columbia and Universal and
low-budget companies including Tiffany, Majestic, Victory, and Monogram.
Michael H. Price and the late
George Turner, longtime editor of American
Cinematographer magazine, also are responsible for such books as The Making of King Kong (Spawn of Skull Island) (1975-2002); Forgotten Horrors Vol. 2 (2001); and The Cinema of Adventure, Romance &
Terror (1989). Price also has delivered Vols. 3-5 of the Forgotten Horrors series in
collaboration with genre historians John Wooley and Jan Alan Henderson. A
collection of Price’s film reviews for the New York Times News Service
(1985-1998) is in preparation.
Forgotten Horrors: The Original Volume—Except More So will be
issued in August of 2012 by Cremo Studios, Inc.
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