“The notorious Horror Ban of the late 1930s accounted for some dark days in
“The ban lasted from 1936-1937
until well into 1939, when the genre enthusiasts had become sufficiently fed up
to make a major hit out of the simple reissue of 1931’s Dracula and Frankenstein
as a double feature,” adds Price. “Universal Pictures challenged the ban by
reuniting Boris Karloff and Bela Lugosi for the entirely new Son of Frankenstein in 1939, and the ban
found itself broken.”
Forgotten Horrors Vol. 2 offers an in-depth study of how the prolific
smaller studios made it through the ban and rallied in its wake. The new
edition covers a stretch from 1938 through 1942, dovetailing with the recently
published Forgotten Horrors: The Original
Volume—Except More So. New light is directed onto Lugosi’s 10 starring
features for the tiny studios of PRC Pictures and Monogram Pictures, Karloff’s
series of Mr. Wong detective
adventures, and an unusual series teaming Mantan Moreland and Frankie Darro as
an integrated team of amateur detectives. Chapters new to this edition cover
the haunted-house comedy Comes Midnight,
the African expeditionary picture Dark
Rapture, and a lowbrow wartime comedy, Hillbilly
Blitzkrieg, that contains a surprising foreshadowing of Stanley Kubrick’s Dr. Strangelove (1964).
A key chapter, “Beyond the Horror
Ban,” relates the little-known tale of how one theatre in Beverly Hills provoked Universal Pictures to
challenge the censors. The book also shows how subversive elements of terror
and creepy mystery insinuated themselves into otherwise conventional films
during the span of the ban.
Vol. 2 also unearths neglected items from the fabled Tyler, Texas,
Black Film Collection at Southern Methodist University—Price was among the
original discoverers of that trove of historic motion pictures—and resurrects
forgotten performances by such celebrated figures of Old Hollywood as Peter
Lorre, Dorothy Dandridge, and Franklyn Pangborn. The survey cuts across many
distinct genres, from Westerns to comedies to crime thrillers and disaster
pictures, all compiled from primary-source research and exclusive interviews.
The Foreword is by Josh Alan
Friedman, the author of such books as Tell
the Truth until They Bleed: Coming Clean in the Dirty World of Blues & Rock
’n’ Roll, and (with illustrator Drew Friedman) Any Similarity to Persons Living or Dead Is Purely Coincidental.
The Forgotten Horrors books, which originated in 1980, represent a
benchmark in film scholarship and have been designated as Standard Desk
References by the American Film Institute. Five volumes have been completed,
with revisions and expansions in place on the first two books, refinements in
progress on Vol. 3 and Vol. 4, and additional volumes in
preparation. Price and the late George E. Turner originated the series as an
offshoot of their research on behalf of the American Film Institute and the
American Society of Cinematographers. Price and Turner also are responsible for
such books as The Making of King Kong
(Spawn of Skull Island) (1975-2002)
and The Cinema of Adventure, Romance
& Terror (1989).
Forgotten Horrors Vol. 2: Beyond the Horror Ban will carry a cover
price of $30.
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